“Good Heavens! What a tragedy for the man,” commented Flossie. It was from a small operating hospital in a village of the Argonne that she first saw the war with her own eyes.!

“Thank you,” she answered. “He would think it kind of you, I know.” “I hope nobody saw me,” he said with a laugh. “But I couldn’t bear to leave her there, unhonoured.”

“That’s not bringing me up well,” suggested Joan: “putting those ideas into my head.” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. It took them aback at first. There were people who did this sort of thing. People of no class, who called themselves names and took up things. But for people of social standing to talk about serious subjects—except, perhaps, in bed to one’s wife! It sounded so un-English.